


In 1944, she played the title role in ‘Laura’ opposite Dana Andrews. Other roles followed in quick succession and she acted in ‘Hudson's Bay’ (1941),’Tobacco Road’ (1941), ‘Son of Fury: The Story of Benjamin Blake’ (1942), Rings on Her Fingers (1942), and ‘China Girl’ (1942). She made her first film appearance as Eleanor Stone in Fritz Lang's western ‘The Return of Frank James’ (1940), opposite Henry Fonda. After several years on the stage, she decided to venture into films and her father set up a corporation, Belle-Tier, to fund and promote her acting career.

Her flawless beauty and youthful appeal caught the fancy of the critics and audience alike.Įven though her parents were initially against an acting career, they began to support her eventually. She made her Broadway debut in ‘What a Life!’ (1938) and played the role of Molly O'Day in the Broadway production ‘Mrs. If you’re a discerning watcher with only time for some of the best movies of all time, you’re come to the right place.(age 70) Brooklyn, New York, United States

Because it’s “relatively” easy to get a 100% score after that first handful of reviews (five is the minimum count for a movie to get its Tomatometer), every film listed here has at least 40 reviews, for the added bonus that everything is also Certified Fresh. Then we sorted them by movies with more reviews featured higher up. On the flip side, you’re almost jinxing it if you think the one you’re working on is going to be the one that makes every last cynical, benevolent critic crack a smirk and think, “Yeah, that was freaking awesome.” But the movies here have done just that, ranging from masterpieces of the silent era up until the new classics of today that tap into the pulse of the zeitgeist. There’s the old industry adage that no one sets out to make out a bad movie. What if a small plot hole is big enough to irk a persnickety reviewer? What if the cinematographer didn’t show up that one day for a crucial scene? What if there was a bum performance from one of the background extras? It’s a tough road for a movie to get a 100% with critics, fraught with peril. A place where all the critic reviews are Fresh, as far as the eye can see, without a Rotten mark to disrupt all the 1s and their attendant 0s in the percentage scores. Welcome to the 100% Club, where every movie isn’t necessarily perfect, but their Tomatometers are. (Photo by United Artists./ courtesy Everett Collection) The 100% Club: An Ode to Movies With a Perfect Tomatometer Score
